Doe, A Deer, A Female Deer: The Spirit of Mother Christmas


Oh wondrous headed doe… Amongst its horns it carries the light of the blessed sun…” Hungarian Christmas Folk Song

Long before Santa charioted his flying steeds across our mythical skies, it was the female reindeer who drew the sleigh of the sun goddess at winter solstice. Today it is her beloved image that adorns Christmas cards and Yule decorations – not Rudolph. Because unlike the male reindeer who sheds his antlers in winter, it is the larger and stronger doe, who retains her horns. And it is she who leads the herds in winter.


It was when we “Christianized” the pagan traditions of winter, that the white bearded man i.e. “Father Christmas” was born. And so today we no longer remember the “Deer Mother” who once flew through winter’s longest darkest night with the life-giving light of the sun in her horns.


Cradle of Starlight by Art of Sekhmet

Ever since the early Neolithic, when the earth was much colder and reindeer more widespread, the female reindeer was venerated by northern people. She was the “life-giving mother”, the leader of the herds upon which they depended for survival, and they followed the reindeer migrations for milk, food, clothing and shelter.


And from the British Isles, Scandinavia, Russia, Siberia, across the land bridge of the Bering Strait, she was a revered spiritual figure associated with fertility, motherhood, regeneration and the rebirth of the sun (the theme of winter solstice). Her antlers adorned shrines and altars, were buried in ceremonial graves, and were worn as shamanic headdresses. Her image was etched in standing stones, woven into ceremonial cloth and clothing, cast in jewelry, painted on drums, and tattooed onto skin.


Top right to left: Siberian Deer Tattoo 2nd century BCE., Shamanic Headdress found in Düsseldorf Burial, Scythian Deer figurine, Mesolithic Burial of two women in France, Scythian Rod, Iron Age

Rarely portrayed on land, the reindeer was often shown leaping or flying through the air with neck outstretched and legs flung out fore and aft. Her antlers were frequently depicted as the tree of life, carrying birds, the sun, moon and stars. And across the northern world, it was the Deer Mother who took flight from the dark of the old year to bring light and life to the new.


Sami Reindeer Woman, source Artic Photo

For the Sami, the indigenous people of the Nordic countries, Beaivi is the name for the Sun Goddess associated with motherhood, the fertility of plants and the reindeer. At Winter solstice, warm butter (a symbol of the sun) was smeared on doorposts as a sacrifice to Beaivi so that she could gain strength and fly higher and higher into the sky. Beivve was often shown accompanied by her daughter in an enclosure of reindeer antlers and together they returned green and fertility to the land.


Sami Reindeer Woman, source Artic Photo

Other norther legends associated with solstice was the return of Saule, the Lithuanian and Latvian goddess of the sun. She flew across the heavens in a sleigh pulled by horned reindeer and threw pebbles of amber (symbolizing the sun) into chimneys.

Mary B. Kelly’s book Goddess Embroideries Of Eastern Europe explores images of the horned deer mother in the sacred textiles of women. The image of the mother goddess Rohanitsa is often shown with antlers and gives birth to deer as well as children. For her feast day in late December (most likely solstice) white iced cookies shaped like deer were given as presents or good luck tokens, and red and white embroidery depicting her image were displayed.


Ceremonial Embroidery of Rohanitsa, Image Source from Mary B. Kelly

In Siberian legends the reindeer took flight each winter after ingesting the hallucinogenic Amanita Muscaria mushroom, the archetypal red toadstool with white spots. Shamans would join them on a vision quest, by taking the mushrooms themselves. Climbing the tree of life in her horns, they would take flight like a bird into the upper realms. Other folktales tell how shamans, dressed in red suits with white spots, would collect the mushrooms and then deliver them through chimneys as gifts on the winter solstice. Talk about a wild night.


While many historical explorations of the pagan origins of Christmas observe the link between Santa’s garb and the red and white amanita mushroom ingesting shaman, few mention that is was the female shamans who originally wore red and white costumes trimmed with fur, horned headdresses or felt red hats! The ceremonial clothing worn by medicine women healers of Siberia and Lapland, was green and white with a red peaked hat, curled toed boots, reindeer mittens, fur lining and trim. Sound familiar?

deer antlered hat

Horned Kichko, ancient russian shaman females sacred hat.

Considering that most of the shamans in this region were originally women, it is likely that their traditional wear is the true source for Santa’s costume.  And it is also very likely that they were the first to take shamanic flight with the reindeer on winter’s darkest night. And while these women are largely forgotten today, the Deer Mother still lives in our Christmas cards, seasonal decorations and tales of Santa’s flying reindeer. And while we may not recognize her, I believe some deep, old part of ourselves still remembers the original “Mother Christmas” who brought light and new life to the world.


So this solstice take a moment to remember the forgotten winter goddesses of old and their magical reindeer. Look out from your warm cozy home into the cold of the darkening eve. And on the sacred night when the sun is reborn, look for the Deer Mother flying across starry skies, carrying the tree of life in her horns.




This postscript is in response to comments asking for sources for this post. I decided to remove the many original references because the first draft was nearly 3000 words! I wanted to stay true to my original intention (which was not to write a thesis or academic paper) but to celebrate the feminine aspect of winter solstice traditions – but below you will find more detailed information and sources.

Right now the internet is awash with posts and articles examining the pagan and shamanic origins of Christmas. Much of the material emphasizes the masculine, i.e. investigating the pagan sources for Father Christmas. But what seems to be overlooked is the idea that there may have been a “Mother Christmas’ and a feminine source for yule traditions.

For example, how many of us know that Christmas Eve was once known as “Mother’s-night” across the Anglo-Saxon world and was the occasion of much feasting and celebration? The monk Bede writes that “Modranicht “or “Modresnacht”was held in honour of a group of feminine divinities pictured on carvings and statues all over Celtic France and Britain. (For more information see my post on Mother’s Night click here)


Who were these “Mothers”? And why were they so important to what has become known today as Christmas? Similarly erased from history are the female shamans of the northern peoples who play an unacknowledged role in much of our modern Christmas iconography.

The plethora of “alternative” articles observing the link between Santa’s red and white garb and the Siberian shaman- consistently refer to this shaman as “him”.  Little mention is made that this ceremonial clothing was worn by the earliest shamans in the northern regions who were -and still are – female. In fact the leader of the Mongolian Reindeer People, according to this source,  is a 96-year-old shaman known as Tsuyan.


And when it comes to the deer, well there is much talk of the stag, but little mention of what was once an important spiritual figure to our northern ancestors – the Deer Mother. Much historical scholarship has assumed that many horned images found in archaic relics, ritual objects and artwork were male. But considering the evidence for a reindeer mother goddess cult dating from the prehistoric, many scholars now suggest that some of these images may be in fact, female reindeer.

That early female shaman wore horned headdresses and antlers is also well documented. In Miranda Green’s book Symbol and Image in Celtic Religious Art she states, “animal symbolism associated with goddesses reachs it apogee with horned female images, usually adorned with antlers.” 


Lead Plaque of Horned God (or Goddess?) found in Chesters, Northumberland. Miranda Green. 

Green makes the point that while the antlered god Cernunnos is well known in eastern Gaul (and is revered in many pagan circles today) there were also feminine counterparts found in at many sites such as Clermont-Ferrand  (Puy de Dome) and at Besancon (Doubs).


Esther Jacobson compiled the deer iconography of the early nomads of South Siberia and northern Central Asia. Her book The Deer Goddess Of Ancient Siberia: A Study In The Ecology Of Belief traces the image of the deer from rock carvings, paintings, and monolithic stelae from the Neolithic period down through the early Iron Age.  And her study demonstrates that this deer goddess “religion “revolved around female wise woman and the deer mother herself, the antlered doe. 


Reindeer Stones or Stele. Image source Wikipedia.

The deer goddess was known across northern Europe. From The Deer-Cult and the Deer-Goddess Cult of the Ancient Caledonians  by J.G. McKay “There are an immense number of traditions, references, notices of customs, and various minor matters, which show conclusively that there formerly existed in the Highlands of Scotland two cults, probably pre-Celtic, a deer-cult and a deer-goddess cult. The latter cult was administered by women only…”


Antlered female shaman (believed to be Nishan from NE Asia)

The book The Golden Deer of Eurasia published by the Metropolitan Museum of Art, is a wonderful visual exploration of the sacred significance of the deer and reindeer in the shamanic traditions – which “was understood as essentially female” and associated with the tree of life, fertility, motherhood  birth and the rebirth of the sun (the theme of winter solstice!)

According to this lovely article “Reindeer and the Sun are very common association in Siberian shamanism. Tattoos on buried shaman women also contain deer tattoos, featuring antlers embellished with small birds’ heads, and since the goddess cultures of female shaman is most associated with deer, serpent and birds, it is right that these deer stones were the sacred ritual grounds of women. This reindeer-sun-bird imagery can symbolize the female shaman’s soul transformation from human to deer, from earth of the middle world to higher gates of the middle world and even the lower world.”


Mesolithic female shaman of Bad Dürrenberg, 7000-6500 bce, with reconstructed regalia from animal bones, horns, teeth, and shells. From a wonderful color-illustrated pdf of “Archaeological Finds from Germany”

This fascinating article describes the ancient traditional clothing worn by “Medicine Women Healers” in Siberia and what once known as Lapland. “The red peaked, felted hats and curled-toe boots and warm mittens of reindeer-hide complete, what I believe to be, the feminine origins of perhaps the first of a very long line of Santa Claus replications. Their long lineage of connection with the induction of spiritual journeys through the drum, their relationship of healing with “Reindeer-Magic” and their ability to create potions and salves which could incite ecstatic visions or “Shamanic Journeys,” give us a deeper look at the Solstice and contemporary Christmas symbol. These priestesses-of-the-antlered-ones who flew through the night to gather blessings and healing and then distributed these gifts to their tribe members must surely be considered as proto-typical Fore-Mothers of Santa.”

So based on these sources (and I could go on!) it seems quite certain that there once an ancient deer mother goddess associated with the sun at winter solstice. It also seems likely that female shamans took to shamanic flight with the Deer Mother on the longest, darkest night of the year, carrying the life-giving light of the new sun in her horns. 

Today some of our most cherished  Christmas iconography features antlered “stags”. Why does this image still speak so strongly to us? Could it be that they evoke an ancient memory? Are we remembering the long forgotten mother of winter solstice? I like to think so. deermothertreeoflife


Holiday Clip Art from Etsy

145 thoughts on “Doe, A Deer, A Female Deer: The Spirit of Mother Christmas

  1. Pingback: Doe, A Deer, A Female Deer: The Spirit of Mother Christmas | Karin E Weiss: Writer, Artist, Dreamer

  2. Thank you for this beautiful post. I having been wondering about mindful women during Christmastime. Ironic that most women hold the keys to how we currently celebrate and honor the season and yet are not seen as bestowers but as worker bees. I hope Mother Christmas is retold often as it offers symbolism for the wonderful things a nurture provides.

    Liked by 1 person

  3. Reblogged this on spinning the light and commented:
    This post is such a beautiful and fitting end to my year and just so on-season with the Winter Solstice that has been the highlight of this festive month, having reignited a deep subconscious (life-long) relationship I had been having with Elen of the Ways. Who is Elen? She is the mother-goddess archetype of these isles and many others; deeply and intrinsically associated with woodland and the deer.

    I started writing a long post about her earlier this year yet never published it because it just began to feel way too personal…weaving the factual in and out of my own life story and numerous gravitations towards Elen-like themes, from being born so close to Sherwood Forest that I spent years daydreaming I was Maid Marion living under the greenwood tree to the (far too) many synchronicities of place, interest and…yes…even name, spanning almost five decades. Since discovering Elen, I have joined a facebook community of others who have found her and its fascinating to witness the sense of reunion and deep personal understanding emerging through the vehicle of her (like we are finding her deep in our own psyche…) as each person dives deep into the rich culture-pot and associations, the recollections of another era – an era when the feminine was revered and regarded as crucial to our survival – centred around her.

    And right at that centre of that circle around her stands the doe…a subject I recently started painting on a whim, yes with a bird perched in her antlers (…as referred to in the article that follows though what made me add that detail I hardly know…yet it is a typical one, so this article says). Suffice to say, if you’re drawn to this topic of deer and goddesses, do read this wonderful, seasonal, article and dive deep into one of the books about Elen – I recommend ‘Finding Elen: A Quest for Elen of the Ways’ by Caroline Wise, it was an absolute epiphany for me!

    Liked by 1 person

  4. SO grateful to this post as you articulated what I took a deep-dive into this year around the deer and the associated goddess culture yet hardly knew how to share without repeating all l had read (and probably getting into a huge academic muddle and needing to reference every piece of data) or going in way too personal (since this whole topic feels much more like remembering than anything academic…) In the end, I took to painting what came up – a doe with a bird in its antlers – and, I hope you don’t mind, I have reposted your article to my blog with a foreword on that topic. What a brilliant, engaging, well-balanced and relatable piece!


  5. Pingback: Faerie Scavenger | Sarah Bellums

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